I’m reading at the EMP Pop Conference today (5:30 Seattle time – come on out!!). Here’s a link to my paper and the opening paragraphs. Safe Sex, Pay Checks, and Cracked Voices: Rae Sremmurd’s Disappearing Club Rae Sremmurd party. Hard. Swae Lee and Slim Jxmmi write songs about throwing money at strippers, the parameters of […]Read More EMP: Rae Sremmurd’s Club
I have a paragraph in my forthcoming book (did I mention I have a forthcoming book? I have a forthcoming book. It’s a book I’m writing. And it’s forthcoming), Posthuman Pop, where I use Mos Def’s “The Rape Over” as an example of hegemony profiting from critique. The tl;dr is that Mos Def writes a(n anti-Semitic, […]Read More Old White Doors are Runnin This Rap Shit
I have a post over on Sounding Out! today that’s about the way Skrillex, Diplo, and Bieber use feminized sonic tropes to underline Beibs’s heteromasculinity. Below are some loose ideas about “Where Are Ü Now” that didn’t directly relate to the SO! post or that just expand too far past the narrower idea I wanted […]Read More Further Thoughts on Bieber: Because…IDK Why Not?
Now usually I don’t do this, but uh…go ahead on and break ‘em off with a little previews of the xmas remix. Remember that time everyone got mad about the red Starbucks cups? Bc they didn’t say “Happy Birthday Jesus” or whatever on them and therefore couldn’t possibly be about xmas? I don’t want to […]Read More Wham!’s “Last Christmas”: We Would Like to Know if Something Does Not Sound Quite Right
There will be blog. It’ll be about pop music and race and gender. And OMG it will be good. For now, here’s me: I am a popular music scholar whose interests revolve primarily around hip hop and pop, critical race theory, and theories of gender and sexuality. I’m currently Assistant Professor of Music at Rider […]Read More Incoming…